I have a love-hate relationship with Haruki Murakami’s fiction. Well, alright, it’s much closer to love than hate, but I’ve been critical of his fiction before. However, South of the Border, West of the Sun must be my favorite Murakami novel – and I’ve read plenty.
Whether we like or not something can boil down to personal preferences. Nonetheless, the reason why I liked South of the Border, West of the Sun so much can be very revealing in terms of writing – and reading – in a self-aware manner.
In a nutshell, I’d say in this novel Murakami succeeded in understanding the critical connection between depth and widthmore than in any other.
There are various small details in the novel that seem insignificant, such as the use (or not) of umbrellas. But just as the protagonist cannot be certain about his observations, the reader can’t ignore the subtle symbolism lurking in these (only apparently minor) details (more…)
A Naked Woman in the Snow is a short-story collection by Dariush Beritan. Indeed, it’s a… short short-story collection, at about 80 pages and containing five stories. In other words, although (as you will see in this review) it’s not a collection for everyone, it also doesn’t require much of your time. That makes it a marvelous opportunity to try something you’re unfamiliar with.
Familiarity with the subject matter – or lack thereof – will be the key concept in this review, because at the same time it’s what assigns the collection much of its expressive power yet also what keeps it from being fully relatable. But this isn’t as much of a problem as you might think. Indeed, I’d even say it’s a literary device – it’s not a bug, it’s a feature!
A good portion of A Naked Woman in the Snow is set in settings far outside what I’d term “the Anglophone experience”(more…)
A Trick of the Light is a short film by Brandt Ryan – based on a short story by Pinckney Benedict that first appeared in the Zootrope literary magazine. If the name is familiar, you’ve also read my review of his play Restitution. If the name of the film itself rings a bell, perhaps you’ve noticed it on my Bandcamp page. You see – and this should also serve as a disclaimer of sorts, though it hasn’t affected this review – I’ve composed the score for the film. I’ve also had many interesting conversations with Brandt about art, creativity, films, and the Gothic.
Speaking of, you might have noticed “Gothic” is one of the tags accompanying this post. Is A Trick of the Light a Gothic film? There isn’t a yes/no answer to this (which, funnily enough, would be a heck of a Gothic marker if you asked me as a Gothic fiction specialist), but I’ll come back with the long answer in a moment.
You might also recall there is (at the time I’m writing this) one more film review on Home for Fiction: Robert Eggers’s The Lighthouse, which is as Gothic as it can be. Plenty of coincidences – another Gothic markerPerhaps I’m being a bit hasty calling coincidences a Gothic marker, but there is an undeniable connection between the Gothic and what Bakhtin called “adventuristic time”. If you’re interested in the topic, also see my post on coincidences in Frankenstein.! Let’s take a closer look to see why A Trick of the Light is a genuinely intriguing, affectively impactful short film.
Album art of the A Trick of the Light soundtrack(more…)
