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The Industrialization of the Arts: Meaning in a Capitalist Framework

November 1, 2021

art, capitalism, guest post, ignorance, Igor Livramento, society

Today’s post – “The Industrialization of the Arts: Meaning in a Capitalist Framework” – is authored by Igor da Silva Livramento. He’s a fellow academic from UFSC, fellow author, fellow creative-writing advisor, and overall a great fellow. He’s also a composer, music theorist, and producer. Check out his papers on Academia.edu, his music on Bandcamp, and his personal musings on his blog – in Portuguese, Spanish/Castilian, and English. You can also find him on LinkedIn.

The lack of exploration of style, and the absence of style development strikes me as a trait of the industrialization of the arts. The artist no longer has to make poetry, no longer has to open up worlds to be experienced in all their familiarity or strangeness; now the artist must only provoke intense subjective experiences one after another.

It is an impoverishment of art to the level of killing it and reducing it to the same criteria as plain entertainment. I call it the aestheticization of life. The whole life has been made the object of aesthetics.

industrialization of arts — The industrialization of the arts involves art-as-fetish

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The Problematic Allure of Social Media Aesthetics

October 18, 2021

Society

aesthetics, Binati Sheth, guest post, philosophy, social media, society

Today’s post “The Problematic Allure of Social Media Aesthetics” is authored by Binati Sheth. She’s a writer, a gardener, and an amateur artist. Check out her blogs and essays. You can find her living her writerly life on LinkedIn, YouTube, and Instagram.

When do you want to live? The past? The future? The present? If I were to give you a choice right now, what would you choose? Ideally, we want everyone to say the present. “I want to live in the present” should be the healthy choice. Sadly though, many people on social media are choosing not to. Enter, social media aesthetics.

Aesthetics is classified as a branch of philosophy (of beautiful things). These things could be natural, artificial, or hybrid. We all love beautiful things, and we all have unique definitions of beauty. Social media aesthetics are no different. A social media user creates or takes photos with a particular aesthetic framework in mind, to establish a brand identity, tone, and personality. It all sounds like harmless fun.

But, as they often do, humans end up ruining things.

During the pandemic, cottagecore, dark academia, and Y2K aesthetics trended globally. It began as a love for warm colors, rustic life, and a fondness for knowledge and nostalgia. I personally dabbled in dark academia while turning a blind eye to some of its problematic aspects. I wrote Victorian era letters to my pen pals while spinning a pirouette around all the oppression, instead focusing only on the opulence. As I was not alone in doing this, I noticed the problematic allure of chasing aesthetics. There’s an incredibly literal problem with aesthetics – it is not about impact; it is about beauty.

social media aesthetics — Social media aesthetics – such as cottagecore, dark academia, and Y2K aesthetics – can be alluring, but also very problematic

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Feminism in Goblin Market: the Economics of the Victorian Woman

October 11, 2021

Criticism

academia, capitalism, criticism, economy, feminism, Gothic, literature, poetry, society, Victorian

I’ve been going through a… Goblin Market phase recently, as you might recall. So, I decided to write a brief, accessible post on feminism in Goblin Market. Christina Rossetti’s poem is rich in symbolism, and an interpretation related to feminism and economics couldn’t be absent.

Academic criticism has explored feminism in Goblin Market – a lot – so I’m certainly not breaking any new ground here. After all, this post is based on my BA thesis and therefore isn’t exceptionally deep or analytic to begin with. However, I still think there are intriguing viewpoints in it, with important repercussions for our times, too.

Is feminism in Goblin Market about sex? Is it about control? It’s about these and more. Nonetheless, my focus is mostly on economic independence: how the Victorian woman (and, by association any woman) is as free as her ability to provide for herself and set the rules of the (economic) game. The lessons from the Victorian era are still applicable today, and feminism in Goblin Market is, I’d argue, pertinent to many of our contemporary discussions.

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