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Criticism

About a Paragraph Found in Madame Bovary

November 20, 2023

Criticism

criticism, guest post, Igor Livramento, literature

Today’s post – “About a Paragraph Found in Madame Bovary” – is authored by Igor da Silva Livramento. He’s a fellow academic from UFSC, fellow author, fellow creative-writing advisor, and overall a great fellow. He’s also a composer, music theorist, and producer. You can find him on LinkedIn and here is his own blog.

As per the translation for Penguin (2011, Vintage series):

Emma Bovary is an avid reader of sentimental novels; brought up on a Normandy farm and convent-educated, she longs for the passion of romance. At first, Emma pins her hopes on marriage, but life with her well-meaning husband in the provinces leaves her bored and dissatisfied. She seeks escape through extravagant spending sprees and, eventually, adultery. As Emma pursues her impossible reverie she seals her own ruin and despair. Exquisite, moving, at times ferociously satirical and always psychologically acute, Madame Bovary remains one of the greatest, most beguiling novels ever written.

Knowing this novel that has made history (given its many film adaptations), I will analyze a paragraph to demonstrate that its superficial simplicity and perfect grammar conceal a creative and magnificent use of language in its powers of characterization, description, abstraction, concreteness and perspective.

We will find a representation of the dissolution of subjectivity through the accumulation of restless anguish, paired with existential reflection in the small actions of everyday life. This will demonstrate the technical mastery with which Flaubert wrote and from which we can learn to produce literature of high emotional impact, even when the scene we describe to the reader seems as static as a Renaissance painting.

Madame Bovary, painting made with Bing Image Creator
This is only an image made with Bing Image Creator, but it’s a serendipitous “choice” to place the character in front of the open window, the room behind her
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Review of Terminal Boredom by Izumi Suzuki

July 24, 2023

Book Review, Criticism

art, book, Japan, literature, review, science fiction, short story, society, symbolism

Terminal Boredom, by Izumi Suzuki, is a collection of science fiction short stories. It includes seven stories in total, and should be possible to finish in one afternoon, should the reader wish to do that. The stories are entirely independent plot-wise, and there is no specific affect-based benefit in reading them all at once.

In other words, the reader doesn’t need to enter any specific reading mood to get the best out of these short stories, which means, whether you read all seven in quick succession or take your time, the result will be basically the same.

You might already be tempted to decipher what I may imply by all this, so let me make it explicit: The stories in Terminal Boredom are an interesting example of a narrative that basically somewhat relies on plot, while at the same time it somewhat presents some intriguing symbolism.

I think the best description I can offer for Terminal Boredom is that it includes plenty of allusions and meanings, but the reader must work hard for them.

Terminal Boredom
The worlds in Terminal Boredom are distinctly Japanese, and this view of Tokyo helps the reader understand why
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Writing a University Thesis: or, Tales from the Academic Crypt

March 27, 2023

Criticism, Society

academia, criticism, mediocrity, society, writing

You probably think this post isn’t for you – unless you’re a student about to start writing a university thesis. But although in this post I indeed want to give some tips to students on their way to writing a Bachelor’s, Master’s, or even Doctoral thesis, there are important things we need to discuss about society and how our academic communities operate.

After all, much of what you experience in your everyday life is one way or another related to the academia. I’m not even referring to “knowledge” being born in the academia (I wish it were that simple). Rather, the people produced – that’s the right word – by the academia are your future employers and colleagues, mayors and decision-makers, and overall people you will have to deal with.

For those not familiar with me, I’ve spent 12 years at the university studying and teaching English literature. I’ve written a Bachelor’s thesis, a Master’s thesis, and a Doctoral thesis. I’ve seen the academia from the inside and let me tell you, the sausage metaphor applies.

Though I’ll structure the post around a way it would be most useful to a student – including what to expect, what to do, and what to avoid while writing a university thesis – I’ll add plenty of anecdotal details along the way that will make the post interesting to anyone.

Writing a University Thesis
University life involves learning when to talk and when to shut up. Writing a university thesis isn’t much different
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