Home For Fiction – Blog

for thinking people


Fiction Sentiment Analysis: Examples and Methods

September 19, 2022

The term “sentiment analysis” in the contexts of texts refers to a program (to put it simply) that detects emotions in a text. A typical application is for detecting whether clients are happy or angry, but large-scale analysis – for instance, analyzing tweets – can also give a sense of public opinion on a matter. I’m not interested in any of that. Instead, I wanted to experiment with fiction sentiment analysis.

What kind of applications could it have? How difficult is it to implement?

That’s what we’ll be looking at in this post. Though I’ll offer you details and links along the way, I’ll also keep it accessible to a lay audience. Whether you’re a beginner/intermediate programmer looking for ideas, or simply someone interested in seeing the possibilities, there’s something here that will interest you.

Sneak preview: I’ll also share with you a link to my program, so that you can perform a fiction sentiment analysis on your novel or short story!

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Similes in the Iliad: The Horrors of War

September 12, 2022

Today’s post – “Similes in the Iliad: The Horrors of War” – is authored by Igor da Silva Livramento. He’s a fellow academic from UFSC, fellow author, fellow creative-writing advisor, and overall a great fellow. He’s also a composer, music theorist, and producer. Check out his papers on Academia.edu, his music on Bandcamp, and his personal musings on his blog – in Portuguese, Spanish/Castilian, and English. You can also find him on LinkedIn.

I know this must be one of the most common themes of all time. Any individual who is minimally literate and in possession of some literary culture knows that the Iliad is full of great similes.

Contrary to what it may seem at first glance, these artful chunks of language exhibit more than the eye can see: They establish Homer’s views on war in a manner that is surreptitiously under our noses. Through a game of hiding what is in plain sight, Homer criticizes the war at the same time that he seems only to report what is happening on the battlefield.

Similes in the Iliad
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No Ads, no Corporate Masters

September 5, 2022

The phrase of the title, “No Ads, no Corporate Masters”, is of course a wordplay on “No Gods, no Masters”. It’s also a phrase I use on Home for Fiction, for example whenever you try to access any of the apps (we’ll talk about this more in a moment) .

It’s a way for me to remind you that Home for Fiction displays no ads, and it’s controlled by nobody.

But why all this? Why do I refuse to put ads on Home for Fiction? The short answer is, for the same reason I’ve refused corporate masters (and as you’ll discover in this post, I’ve had many such… suitors): Because I can’t compromise on what Home for Fiction is – in terms of content as well as aesthetics.

The longer answer is something I decided to write this post about.

no ads no corporate masters
“No ads, no corporate masters” can be both lonely and liberating. There are no shortcuts – you can be either free or content; being both is impossible
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