Some time ago, when I reviewed Michel Laub’s Diary of the Fall, I mentioned how sometimes all the ingredients can be there but the recipe is still a failure. Carlos Ruiz Zafón’s The Shadow of the Wind is somewhat similar, I’m afraid. All the ingredients are there, yes. It kinda works, and yet it doesn’t.
To be fair, I think Zafón’s novel works comparatively better. That is, one can still read it and somewhat enjoy it. However, The Shadow of the Wind aspires to be a Gothic tale. And to this Gothic fiction specialist, it comes off as a failed attempt.
There is a sustained attempt to present The Shadow of the Wind as a Gothic tale, taking advantage of the settings. But although all the checkboxes are ticked, something is amiss.(more…)
In today’s post I will talk about Negative Capability. In particular, I’ll try to answer the question, What is negative capability? There’s a reason I’ve used bold font. There’s also a reason I said that I’ll try to answer the question.
Honestly, few things in a literary context have troubled me more than negative capability. Can I give you a definition? Sure. That’s very easy. Let’s take the one offered by John Keats himself, who coined the term.
[S]everal things dovetailed in my mind, & at once it struck me, what quality went to form a Man of Achievement especially in Literature & which Shakespeare possessed so enormously – I mean Negative Capability, that is when a man is capable of being in uncertainties, Mysteries, doubts, without any irritable reaching after fact & reason – Coleridge, for instance, would let go by a fine isolated verisimilitude caught from the Penetralium of mystery, from being incapable of remaining content with half knowledge.
In today’s article, we’ll talk about symbolism in literature. Worry not, it’s not an academic post. Conversely, it’s meant as a simple but revealing how-to guide, useful both to inexperienced and seasoned readers and writers. I wrote this article wanting to offer a better understanding of how symbolism in literature operates, and particularly how to read it or write it.
Motivation for this post arose from a review of one of my works. Through the text of the review, I realized that the reader had missed several key aspects of symbolism in the novel. What made the case interesting, however, was that this was not a case of an unsophisticated reader. It was obvious that the reader was fairly experienced, skilled, and read the book for what it was. And yet, s/he missed these symbolic, allegorical excerpts.
Symbolism, allegory, parable, allusion. There are subtle differences between these concepts, but they all coexist under the grand umbrella of “metaphorical meaning”, as opposed to “literal meaning”. To keep this article accessible, I use terms such as “symbolism” or “metaphor” interchangeably, that is, referring to any expression of non-literal meaning.
Virtually everyone knows what this symbolizes, to the extent that its literal meaning (a blindfolded woman holding a pair of scales and a sword) is entirely ignored. Familiarity exists in an inversely proportional relationship with affective power. In simpler words, symbolism in literature that is harder to grasp, is also more rewarding for the discoverer.(more…)
